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CAMILA CAIZA

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This section shows the process of the artistic research that I developed during two years within the frame of the Master in Scenography at the Hogeschool voor de Kunsten Utrecht (HKU). The research was triggered by one main question: how can the conscious and the unconscious minds generate an experiential atmosphere? In the context of this question two main reflections were explored: one referring to the paradoxical way in which an individual experience can become a collective one without losing its personal approach. And second, the multilayered character of space in which physical encounters performative and filmic, and its possible interaction for the generation of atmospheres.

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Architectural Skins

February 23, 2016

While thinking about the ambiguous relationship between the introspective world of a human being and the reflection and materialization of it in the exterior world, also that made me think about the transitional elements in-between those two worlds. If we talk literally about which element separate us, but at the same time connect us to the physical world, that would be our bodies.

That body that both divides and connects our interior world to the exterior that surround us, acts as a filter of thousands of emotions,ideas, thoughts, feelings, fears, etc, but also it remains as a trace of the passage of all this sensations going through us. In the same way, the space acts as an archival of our personal stories. This what can be called 'the architectural skin' is a material reflection of the passage of time and can act as a physical representation of our individual and collective memories.

← Ambiguity + Architectural SkinsExpressing Ambiguity through Space →

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